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Panasonic S1RII Released! Key New Features You Should Know About

S1RM2

Panasonic LUMIX S1RII released on February 25, the major media and organizations have got the relevant machine for review in advance, the following is a summary of the results of the review, listing the key information that needs attention.

The Panasonic LUMIX DC-S1RII comes with a new back-illuminated sensor (IMX366) that is not stacked and reads at speeds close to that of the 24-megapixel model (IMX410), which means that the bottom of this one isn’t really that fast.

Base ISO2nd gain step
Standard color modeISO 80ISO 400
Cinelike D2, V2, A2ISO 160ISO 800
HLGISO 320ISO 1600
V-LogISO 200ISO 1000
V-Log + DR ExpansionISO 400ISO 2000

Equipped with Dual Conversion Gain (two stops of native ISO), users can manually select two reading modes to suit the needs of different shooting scenarios. The first native ISO comes to 80 in standard color mode.

S1RM2

In terms of focusing performance, the camera is equipped with second-generation image-plane phase-difference AF, as well as significantly improved subject recognition and tracking algorithms, which can recognize a wide range of subjects, including people, animals, vehicles, and more. However, there is still room for improvement in its focusing system, with some scenes failing to focus, and its final performance will need to be further optimized with subsequent firmware updates. Of course there is no mention of an AI chip anywhere, naturally.

The new “Cinelike A2” color mode is suitable for both photo and video shooting, and sits between the “D2” and “V2” profiles, with a softer style to meet the The new “Cinelike A2” color mode is for photo and video shooting, and sits between the “D2” and “V2” profiles, with a softer style to meet specific color style needs. The camera is equipped with a real-time LUT function that can load up to 39 LUTs, and supports combinations of two LUTs with different intensities, making it easy for users to quickly adjust color styles while shooting. For the first time, there’s also a Folscolor option, which helps users get a clearer picture of the exposure in both photo and video modes, and determine which parts of the image may be overexposed or underexposed, for improved shooting accuracy. There’s not much new in this section.

S1RM2

It supports a wide range of video specifications, such as offering resolutions close to UHD 8K, DCI 8K, and an 8.1K resolution option with a 1.89:1 ratio, and features video shooting assistance features common to Panasonic products, such as shutter angle, waveform monitor, and more, as well as support for 4-channel audio and 32-bit Float audio recording via an XLR2 accessory, and adapting anamorphic lenses.

422/HQ
60, 501.04
60, 50, 30, 25, 241.52
120, 1001.104:2:2
16:9 Modes
8.0K7680 x 432030, 25, 241.04:2:0
5.9K5888 x 331230, 25, 241.0
60, 50, 481.11
UHD 4K3840 x 216030, 25, 241.04:2:2422/HQ
60, 501.11
60, 50, 30, 25, 241.52
120, 1001.174:2:2
3:2 Modes
6.2K open gate*6432 x 422830, 25, 241.04:2:0
4:3 Modes
4.7K4736 x 355260, 50, 48, 30, 25, 241.654:2:0422/HQ**

The camera supports Open Gate shooting, capable of shooting at full resolution from the 3:2 area of the sensor and outputting 6.4K video (higher resolution Open Gate will be supported in a future firmware update), and supports ProRes 422 or ProRes RAW format recording to a CFexpress Type B card or external SSD.

UHDDCI
CropRolling shutterCropRolling shutter
8K, 5.xK*, 4K
30/25/24
1.0024.9ms1.0022.4ms
5.xK*, 4K
50/60
1.1115.4ms1.0415.3ms
4K
100/120
1.177.3ms1.107.3ms
4K/30 DRExp*1.0031.7ms1.0029.8ms

When shooting video, it has a more pronounced rolling shutter phenomenon (big jello) than the stacked sensor models, which is better than the Sony ones but still not as good as the Canon EOS R5 II and Nikon Z 8.

Output
dimensions
Frame
Rates
CropMOVProRes
1.89:1 modes
8.1K8128 x 428830, 25, 241.04:2:0
5.8K5760 x 403030, 25, 241.0422/HQ
30, 25, 241.31RAW/HQ
60, 50, 481.044:2:0
DCI 4K4096 x 216030, 25, 241.04:2:2

In terms of body design and operation, the Panasonic LUMIX DC-S1RM2 is based on the smaller S5II series, which is more compact and lighter than the initial S1 series, and has a built-in fan and cooling exhaust port, which guarantees a certain degree of stability for long-duration shooting, although not as good as the “GH series”, but also capable of meeting longer-term recording The GH series is a good choice for longer recordings, though not as good as the GH series. Its grip has been improved with a deeper handle. The button layout has been adjusted, with fewer Fn buttons on the front and a new REC button, as well as a dedicated switch for still picture/video/S&Q and a mode dial with a locking function, and a number of customized positions to make it easier for users to set up according to their own usage habits.

S1RM2

The camera’s back monitor is movable in a similar way to the Sony α7R V, combining a tilt and variable angle function that effectively avoids interference with the microphone, headphone, and HDMI connectors, making it easy for users to view the image at different shooting angles.

Battery-wise, the Panasonic LUMIX DC-S1RM2 uses the same 15.8Wh DMW-BLK22 battery as the S5II, which has an average battery life. However, it supports the new battery grip DMW-BG2, which realizes hot-swapping of batteries, allowing the use of both the grip and body batteries to improve the endurance of shooting under high power shooting combinations.

S1RM2

Overall, Panasonic LUMIX DC-S1RM2 as a newly released camera, in the pixel, video features, body design and other aspects of the show a strong competitive edge, the price in the same level of products also have a certain advantage (is expected to the country line debut price of 20998 or so, if it is set at 19,998 that is said to be conscientious, more than 22,998 cost-effective can only be said to be average). But the stability of its focus performance and the control of the rolling shutter during video shooting, etc., still need to further improve and optimize.


Panasonic Lumix DC-S1RII
Canon EOS R5 IISony a7R VPanasonic Lumix DC-S1R
MSRP$3300$4300$3900$3700
Pixel count44MP45MP61MP47MP
Sensor typeBSI CMOSStacked CMOSBSI CMOSFSI CMOS
Stabilization
(IBIS / Synced)
8.0 EV /
7.0 EV
– /
8.5 EV
8.0EV /
6.0 EV /
7.0 EV
Max burst rate (Mech / E-shutter)10 fps / 40 fps12 fps / 30fps10 fps /9 fps /
Viewfinder res / mag5.76M dot OLED / 0.78x5.76M dot OLED / 0.76x9.44M dot
OLED 0.9x
5.76x dot OLED / 0.78x
Rear screen3.2″ 2.1M dot Tilt + Fully Artic.3.2″ 2.1M dot Fully Artic.3.2″ 2.1M dot Tilt + Fully Artic.3.2″ 2.1M dot two-way tilt
Max video resolution8.1K [1.89:1] / 30p
UHD 8K / 30p
Full-width 5.9K 60p
DCI 8K / 60p
UHD 8K / 60p
UHD 8K / 24p5K [3:2] / 30p
UHD 4K / 60p
Output optionsMOV H.264
MOV H.265
ProRes 422
ProRes RAW
MP4 H.264
MP4 H.265
Canon Raw (/Light)
MOV H.264
MOV H.265
MOV H.265
MP4 H.264
Storage formats1x UHS-II SD
1x CFe B
External SSD
1x UHS-II SD
1x CFe B
2x UHS-II SD / CFe A1x UHS-II SD
1x CFe B / XQD
Flash sync speed1/250 sec1/250 sec
1/160 sec
1/250 sec1/320 sec
HDR output options (Stills / Video)– / HLG videoHDR PQ HEIF / HDR PQ videoHLG HEIF
/ HLG video
HLG Photo / HLG video
USBUSB-C
3.2 Gen 2
(10 Gbps)
USB-C
3.2 Gen 2
(10 Gbps)
USB-C
3.2 Gen 2
(10 Gbps)
USB-C
3.1 Gen 1
(5 Gbps)
Battery life
LCD / EVF
350 / 300540 / 250530 / 440380 / 360
Dimensions134 x 102 x 92mm139 x 101 x 94mm131 x 97 x 82mm149 x 110 x 97mm
Weight795g746g723g1,020g
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