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Panasonic S1RII sorti ! Découvrez les principales nouveautés

Panasonic LUMIX S1RII released on February 25, the major media and organizations have got the relevant machine for review in advance, the following is a summary of the results of the review, listing the key information that needs attention. The Panasonic LUMIX DC-S1RII comes with a new back-illuminated sensor (IMX366) that is not stacked and reads at speeds close to that of the 24-megapixel model (IMX410), which means that the bottom of this one isn’t really that fast. Base ISO2nd gain stepStandard color modeISO 80ISO 400Cinelike D2, V2,…

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Panasonic LUMIX S1RII released on February 25, the major media and organizations have got the relevant machine for review in advance, the following is a summary of the results of the review, listing the key information that needs attention.

The Panasonic LUMIX DC-S1RII comes with a new back-illuminated sensor (IMX366) that is not stacked and reads at speeds close to that of the 24-megapixel model (IMX410), which means that the bottom of this one isn’t really that fast.

Base ISO2nd gain step
Standard color modeISO 80ISO 400
Cinelike D2, V2, A2ISO 160ISO 800
HLGISO 320ISO 1600
V-LogISO 200ISO 1000
V-Log + DR ExpansionISO 400ISO 2000

Equipped with Dual Conversion Gain (two stops of native ISO), users can manually select two reading modes to suit the needs of different shooting scenarios. The first native ISO comes to 80 in standard color mode.

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In terms of focusing performance, the camera is equipped with second-generation image-plane phase-difference AF, as well as significantly improved subject recognition and tracking algorithms, which can recognize a wide range of subjects, including people, animals, vehicles, and more. However, there is still room for improvement in its focusing system, with some scenes failing to focus, and its final performance will need to be further optimized with subsequent firmware updates. Of course there is no mention of an AI chip anywhere, naturally.

The new “Cinelike A2” color mode is suitable for both photo and video shooting, and sits between the “D2” and “V2” profiles, with a softer style to meet the The new “Cinelike A2” color mode is for photo and video shooting, and sits between the “D2” and “V2” profiles, with a softer style to meet specific color style needs. The camera is equipped with a real-time LUT function that can load up to 39 LUTs, and supports combinations of two LUTs with different intensities, making it easy for users to quickly adjust color styles while shooting. For the first time, there’s also a Folscolor option, which helps users get a clearer picture of the exposure in both photo and video modes, and determine which parts of the image may be overexposed or underexposed, for improved shooting accuracy. There’s not much new in this section.

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It supports a wide range of video specifications, such as offering resolutions close to UHD 8K, DCI 8K, and an 8.1K resolution option with a 1.89:1 ratio, and features video shooting assistance features common to Panasonic products, such as shutter angle, waveform monitor, and more, as well as support for 4-channel audio and 32-bit Float audio recording via an XLR2 accessory, and adapting anamorphic lenses.

422/HQ
60, 501.04
60, 50, 30, 25, 241.52
120, 1001.104:2:2
16:9 Modes
8.0K7680 x 432030, 25, 241.04:2:0
5.9K5888 x 331230, 25, 241.0
60, 50, 481.11
UHD 4K3840 x 216030, 25, 241.04:2:2422/HQ
60, 501.11
60, 50, 30, 25, 241.52
120, 1001.174:2:2
3:2 Modes
6.2K open gate*6432 x 422830, 25, 241.04:2:0
4:3 Modes
4.7K4736 x 355260, 50, 48, 30, 25, 241.654:2:0422/HQ**

The camera supports Open Gate shooting, capable of shooting at full resolution from the 3:2 area of the sensor and outputting 6.4K video (higher resolution Open Gate will be supported in a future firmware update), and supports ProRes 422 or ProRes RAW format recording to a CFexpress Type B card or external SSD.

UHDDCI
CropRolling shutterCropRolling shutter
8K, 5.xK*, 4K
30/25/24
1.0024.9ms1.0022.4ms
5.xK*, 4K
50/60
1.1115.4ms1.0415.3ms
4K
100/120
1.177.3ms1.107.3ms
4K/30 DRExp*1.0031.7ms1.0029.8ms

When shooting video, it has a more pronounced rolling shutter phenomenon (big jello) than the stacked sensor models, which is better than the Sony ones but still not as good as the Canon EOS R5 II and Nikon Z 8.

Output
dimensions
Frame
Rates
CropMOVProRes
1.89:1 modes
8,1K8128 x 428830, 25, 241.04:2:0
5,8K5760 x 403030, 25, 241.0422/HQ
30, 25, 241.31RAW/HQ
60, 50, 481.044:2:0
DCI 4K4096 x 216030, 25, 241.04:2:2

En termes de conception et d'ergonomie, le Panasonic LUMIX DC-S1RM2 s'inspire de la gamme S5II plus compacte et légère que la série S1 initiale. Il intègre un ventilateur et une sortie d'aération, garantissant une certaine stabilité pour les tournages prolongés (bien que moins performant que la série « GH »). Sa poignée a été améliorée avec une prise en main plus profonde. La disposition des boutons a été revue : moins de boutons Fn à l'avant, un nouveau bouton REC, un commutateur dédié photo/vidéo/S&Q, un sélecteur de modes avec verrouillage et des positions personnalisables pour s'adapter aux habitudes des utilisateurs.

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L'écran arrière est articulé de manière similaire au Sony α7R V, combinant basculement et orientation variable, évitant ainsi toute gêne avec les connecteurs micro, casque et HDMI. Cela facilite la visualisation sous différents angles de prise de vue.

Pour l'alimentation, le Panasonic LUMIX DC-S1RM2 utilise la même batterie DMW-BLK22 de 15,8 Wh que le S5II, offrant une autonomie moyenne. Il est compatible avec le nouveau grip DMW-BG2 permettant l'échange à chaud des batteries, améliorant ainsi l'endurance lors de configurations exigeantes.

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Globalement, le Panasonic LUMIX DC-S1RM2, en tant que nouveau modèle, présente des atouts compétitifs en résolution, fonctionnalités vidéo et design. Son prix est avantageux pour sa catégorie (prévu autour de 20 998 ¥ en Chine ; un tarif à 19 998 ¥ serait très raisonnable, tandis qu'au-delà de 22 998 ¥, le rapport qualité-prix deviendrait moyen). Toutefois, la stabilité de l'autofocus et la gestion de l'effet rolling shutter en vidéo nécessitent des améliorations.


Panasonic Lumix DC-S1RII
Canon EOS R5 IISony α7R VPanasonic Lumix DC-S1R
Prix conseillé$3300$4300$3900$3700
Nombre de pixels44 Mpx45 Mpx61 Mpx47 Mpx
Type de capteurCMOS rétro-éclairéCMOS empiléCMOS rétro-éclairéCMOS FSI
Stabilisation
(IBIS / Synchronisée)
8,0 IL /
7,0 IL
– /
8,5 IL
8,0 IL /
6,0 IL /
7,0 IL
Rafale max (Méca. / Obtr. élec.)10 i/s / 40 i/s12 i/s / 30 i/s10 i/s /9 i/s /
Rés. viseur / grossissementOLED 5,76 M pts / 0,78xOLED 5,76 M pts / 0,76x9,44 M pts
OLED 0,9x
OLED 5,76 M pts / 0,78x
Écran arrière3,2" 2,1 M pts inclinable + articulé3,2" 2,1 M pts articulé3,2" 2,1 M pts inclinable + articulé3,2" 2,1 M pts inclinable 2 sens
Résolution vidéo max8,1K [1,89:1] / 30p
UHD 8K / 30p
5,9K pleine largeur / 60p
DCI 8K / 60p
UHD 8K / 60p
UHD 8K / 24p5K [3:2] / 30p
UHD 4K / 60p
Options de sortieMOV H.264
MOV H.265
ProRes 422
ProRes RAW
MP4 H.264
MP4 H.265
Canon Raw (/Light)
MOV H.264
MOV H.265
MOV H.265
MP4 H.264
Formats de stockage1x SD UHS-II
1x CFe B
SSD externe
1x SD UHS-II
1x CFe B
2x SD UHS-II / CFe A1x SD UHS-II
1x CFe B / XQD
Vitesse de synchronisation du flash1/250 s1/250 s
1/160 s
1/250 s1/320 s
Options de sortie HDR (Photos / Vidéo)– / Vidéo HLGHEIF HDR PQ / Vidéo HDR PQHEIF HLG
/ Vidéo HLG
Photo HLG / Vidéo HLG
USBUSB-C
3.2 Gen 2
(10 Gbps)
USB-C
3.2 Gen 2
(10 Gbps)
USB-C
3.2 Gen 2
(10 Gbps)
USB-C
3.1 Gen 1
(5 Gbps)
Autonomie de la batterie
LCD / EVF
350 / 300540 / 250530 / 440380 / 360
Dimensions134 x 102 x 92 mm139 x 101 x 94 mm131 x 97 x 82 mm149 x 110 x 97 mm
Poids795 g746 g723 g1 020 g

Leo Liang

Bonjour, je suis Leo – le créateur de LensClear.net. Photographe, passionné de matériel et créateur de contenu boosté au café, j’adore tester les nouveaux appareils et aider les créatifs à shooter plus intelligemment et efficacement.

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